Theoretical Premise
A.
Spatial theory; hence expanding upon previous
study which suggests spatial containment exists as a continuum not a singular
volume defined by a perimeter. Therefore defining architectural space within
the context of the project as individual buildings, defined on the functional requirements.
Utilising the spaces between to create seamless transitions between internal
and external spaces while allowing endless circulation possibilities.
B.
The scheme engages with the site directly in a
spatial manner, thus defining the manner in which the responder is engaged in
the continuum of space of the site within the context of the greater city. Such
is explored further through the manipulation of levels and divisions in the
site, contorting the external boundary of the site (inner footpath boundary)
drawing the responder into the site. While with regards to engagement with the
greater urban fabric, the scheme utilises sculptural form to connection in a physiological
manner, engaging the responder in the manner in which they interpret the form.
Therefore, not defining the manner in which the responder interprets the form
on the premise of physical and variable morphological elements but rather purely
architectural interpretations.
C.
The contortion of internal and external boundaries
is further manipulated through details such as lighting, utilising not singular
artificial sources but rather natural lighting wrapping each buildings perimeter
therefore lighting the internal space from the boundary through natural illumination
therefore creating a lit environment similar to external space. Details
including the pools of water placed around the site, defining individual
external spaces without the requirement of vertical physical elements. While
further manipulating the contortion of reflected light upon the sculptural
form, engaging with the materialistic properties. Hence the titanium cladding,
reflecting light to illuminate external spaces darkened by the form of the
building, while shimmering light to capture the attention of responders moving
along the street, drawing them into the site and therefore the building.
Poser Page One
Poster Page Two
1:500 Model
1:100 Model
Conceptual Poster Models
